Somewhere; in the center: August 2008

Saturday, August 23, 2008

Writing on my wall

seeing
not seeing
Top Rt
across middle
bottom Rt
bottom Lf
ink pen bottom Rt
top Lf
Rt middle
top Rt
lower Rt
Lf middle
lower Rt- squiggle
3 lines up- lower Lf
red dot- lower Lf
blue line in from Rt middle
dark circle- center top
brown lower mid Rt
3 marks for mid rt side
yellow loop mid Rt
pink scribble- bottom middle
5 green dots top left
blue scribble- middle
tan scribble inside dark circle
red horseshoe over top middle
two circles top rt
horizontal line in pen bottom left-ish
dark shadows
I never have wanted another
200 2-second marks
100 one second
100
1 second scribbles
20
20
20
20
20
100 one second
70
84
IJL
JD
Keep at it
what does being true to yourself mean and how do I do it?
30
40
20
50
"from the top"
loosing something in order to appreciate it
Tape record all the conversations I have with a specific person
how the process evolves into a visual representation of that action
I couldn't ask for more, but I will
It is futile to try and make sense of the work. For the viewer to try and read
instruction manual
omnipotent
points of interest
repetitive marks
gradated
color
drawing
med/lg paper
drawing off the edge of the paper
smaller & smaller----------------bigger & bigger
until thy have nothing to do with each other
80
60
50
trying and failing but succeeding
provide so much that you don't
lavish
choices
abundance
excess
to wish nothing further
the obviousness of what we are doing
you will find it
pelican
unpleasant and familiar
depth
(Horner) fabrication for social gain/dinosaurs T-Rex
Bone warriors- Feud
Cope & Marsh
(Pennsylvania) (Yale)
removed parts
broke skeletons
removed evidence
to fabricate persona
3/4 map
Frederick Sommer
Robert Morris
Anastasia
Elephant in the room
JOHN
JHON
JHNO
HJON
JONH
nobody wants you and everybody loves you